flipside

auma, memory, or existential dread. Films like “The Wicker Man” (1973) and “Under the Skin” (2013) illustrate how the body can be both a vessel and a battleground. These films complicate the narrative by blending folklore, horror, and science fiction, presenting bodies that are

ooked directors, actors, and critics who have shaped the alternative British film scene. In what ways does the film address the influence of cultural and political shifts on British cinema? It examines how changes in societal attitudes, political climates, a